WRITINGS
COLLECTION OF POETRY: Litanies for a Broken Body (forthcoming)
ANTHOLOGY (forthcoming): Dy, Jean Claire A. (ed) "Mindanao Odysseys: An Anthology of Travel Esssays on Mindanao." (anthology).
LITERARY: Dy, Jean Claire A. “Big Yellow” (short story). Philippines Free Press. January 11, 2008. Dy, Jean Claire A. “Chopsticks” (short story). Very Short Stories for Harried Readers. Manila: Milflores, 2008. Dy, Jean Claire A. “Chopsticks” (short story). Philippines Free Press. November 11, 2007. Dy, Jean Claire A. “Merdeka.” (prose poem). 365 days project. Kuala Lumpur, Malaysia. 2007.
PROFILE ARTICLE: Dy, Jean Claire A. “Myla Leguro” (profile). 1000 PeaceWomen Across the Globe. Pasig City: Anvil, 2006.
MONOGRAPH: Dy, Jean Claire A. “Animating Grassroots Organizations for Political Participation: The PDC Experience of Barangays Calang Canas and Taberlongan, Maluso, Basilan Province.” Mainstreaming Political Participation in Marginal Communities. Davao City:GOP-UNMDP-3,2004. (monograph).
SOURCEBOOK: Dy, Jean Claire A. “Building Watchtowers: The Lanuza Bay Experience.” Reclaiming Public Life through Local Special Bodies: A Sourcebook on Enhancing Participation on Local Governance. Manila: CCJD and LGSP 2004. (sourcebook)
*several articles published in www.mindanews.com, Mindanao Times, Sunstar Sunday Magazine, Seventeen Magazine,Phils.,www.cyberdyaryo.com, Women’s Feature Service International
*several literary works published in the Philippine Free Press magazine and Sands and Coral Literary Journal.
Recent writings:
The Madrasah as Space for Intervention Versus Violent Extremism: https://www.mindanews.com/feature/2017/09/the-madrasah-as-space-for-intervention-vs-violent-extremism/
Notes on Humor, Stereotypes, Muslims, Bombays, and the Bisaya Accent (a reflexive meditative essay): https://www.mindanews.com/mindaviews/2016/06/mindaviews-notes-on-humor-stereotypes-muslims-bombays-and-the-bisaya-accent-a-self-reflexive-meditative-piece/
Weaving Dreams of Hope in the Pandemic (born out of a grant from the Philippine Press Institute): https://mindanaotimes.com.ph/weaving-dreams-of-hope-in-the-pandemic/
Sample Creative Writings
When the City Opens
*this speculative fiction piece was published in Evolve: An anthology of fiction and poetry in 2025, Melbourne
By Jean Claire Dy
When the city closed in on itself, you imagined it would take a week. Two at the most.
You persuaded yourself it was just a pause, like holding your breath. You wrote down things. You got some fruit. You set alarms to keep track of the days. You thought the streets would come back to life.
But the alarms stopped ringing. The fruit in the bowl went rotten. Like paper leaves in the corners, the lists fell apart. The city kept folding outside your window. The doors are locked. Windows shut. The streets emptied like veins after a blood transfusion.
Time slowed down. The light coming through the blinds got heavier, as if it had to push through syrup before it got to your floor.
Your reflection became blurry. You moved decreasingly until your body forgot. At first, your name felt like a tag you could peel off.
You could hear the walls breathe at night. The building had a sluggish heartbeat that was constant enough to make your teeth buzz. The paint in the corners split like ice stretched too thin. It appeared as if something inside the pipes was making them shake.
The city was still alive. It was just hiding. And you, who felt you were safe, were starting to change.
Waiting wrapped over you like a second skin, clear and sticky, and you couldn't get rid of it.
You could see what the city had become from the roof. The sidewalks had crumbled into small, light flakes. The balconies bent inward like withered leaves. The wires that held up the elevators hung down like cocoons. Birds flew around but never landed.
You had a dream one night that the city was about to break up. You dreamed that walls were peeling away, streets were bending, and something inside you was coming out into the air. You woke up breathing, and your shoulder blades hurt as if someone had been crushing against them all night.
The next morning, you spotted it: a thin, dark line that went from the ceiling to the wall. It wasn't a lot, but it was the first significant change you'd seen in a long time. You stood under it, holding your breath, and for a time you could hear it—a soft sound like breathing on the other side.
Thereafter, you waited in a new way. The wait was no longer empty.
The line became a little longer every day. You touched it with your fingertips. The wall was warm.
You began to imagine the day it would open, envisioning the sound of it collapsing, followed by silence, and then a sluggish, wet light. People would trip over it because it was so new and smooth. They would be strangers to each other and to themselves.
Some evenings, you put your forehead against the glass and said, "We're going to change."
That night, you lay on the floor beneath the crack when it eventually happened. The building's heartbeat was louder than normal, thumping in your ribs. You almost missed the first sound, a hiss that was as faint as a breath.
Then the plaster broke.
It ripped quickly, leaving a neat tear, and the wall parted just enough to let in a blast of chilly air. You jumped back, your eyes stinging as the light came in. It was a pale, liquid brightness that smelled like dirt after rain. There was movement inside that light. They were not shapes you recognised, but rather something alive that moved like a thousand wings, testing their strength.
The building shook. The fracture moved quickly along the walls, spreading like a glowing web. You raced to the window just in time to witness the same thing occurring across the street: lines of light breaking through walls, glass melting, and balconies falling off like old bark.
Then they came.
Figures emerged out of the new holes, shining smooth and blinking at night. Their skin gleamed, translucent in places, and their shadows trembled like new leaves. They did not look like the people you remembered. And when you caught your reflection in the glass, you realised you didn't either — your eyes brighter, your skin threaded with light, your bones humming.
Outside, the city was unfurling, a husk splitting open. The air thrummed with a sound you had only ever dreamed of: the beat of countless new wings.
You pressed your palm to the window and felt it: that same pressure between your shoulder blades, sharp and certain, and then—at last—release.
The city had been building them for this moment.
And they rose.
Silt
By Jean Claire Dy
With each passing week, the sea advanced, while she cleaned blood off her gloves in the clinic. Unaware of the cause of their bleeding gums, the patients grinned. She told them to floss more, adjusted the overhead light, and grinned back. However, the air has been tainted. Not in aroma, but in pressure: the weight that accumulated behind the eyes before a downpour. Her dreams of molasses-coloured water and riverbed silt bloomed in her lungs as she slept at night. Coughing and holding her hand to her chest, she would wake up tasting mud.
She was known as Mariel. Keppel Bay was the town's name, but the bay itself had undergone three name changes since it was settled, each one attempting to obscure the previous one. She had spent six years here. Long enough to determine which patients needed the radio on and which ones preferred quiet while cleaning. Long enough to stop feeling alien at the grocery store, but the sensation returned as abruptly as the weather. Two blocks away from the water was the clinic. She watched the tide come in between patient appointments from the second-floor window. The coast had been changing. Everybody agreed. Every season, the council erected fresh markers. Water was at the doorsteps of properties that had been on the beach for decades. The locals blamed the moon, king tides, and La Niña. As if silence could keep the sea at bay, no one uttered 'climate change' out loud.
Mariel observed more things. On the instruments she had sterilised the previous evening, rust developed overnight. The suction tubes continued to smell brackish even after bleaching. She would hear patients swallowing during procedures; it sounded like thick, sediment-filled waves retreating from the coast. She mentioned it to Dr Brennan once. He touched her shoulder and laughed. Sydney seemed unattainable. "You're working too hard, love. Take a weekend. Go see Sydney." Every city did so. She now needed water close by. Even if she had never visited the ocean, she had to know its location. When her mother called about the house, the dreams began. Not the Keppel Bay house with the weatherboard siding and the year-round-fruiting lemon tree. The Tacloban residence. The house that was no longer there. Her mother said, "They're building a mall," her voice crackling over the line. "Right where the kitchen used to be." Mariel had watched condensation form on the mirror while standing in her Australian bathroom with her phone pressed to her ear. It had been fifteen years since she had returned. I hadn't wanted to see what the water had taken or what Yolanda had done. She had said, "That's good," and meant it. Meaning: a mall is preferable to a ghost.
But she had a dream about the earlier flood that night. That childhood one. In 1997, Rosing was a typhoon. Being nine and small, she could squeeze between her father’s arm and ribs when they went up to the roof. The water had quickly risen. She was eating breakfast one moment. The floor was a river in the next. She recalled how the floodwater smelled strongly of rot, sewage, and earth. Everything had silt in it. their locks. their airways. Weeks later, the food they ate still had that flavour. When the water came, her father was wearing his inexpensive house slippers from the market. Two blue shapes tumbled against the brown as she watched them drift off in the current. The sight had made him laugh, a sound like shattered glass. He had said, "At least they'll travel together." She was that child again in the dream. However, the water continued to rise above the sky and the roof. The silt was too heavy for her to swim. It filled her mouth and her clothing. It was like forgetting as she sank. Gasping, she awoke. Her linens were wet. Her hair stuck to her neck. Bending over the bathroom sink, she coughed nonstop for ten minutes, certain that she would bring up mud. All that emerged was ordinary, transparent spit. It was only a dream, she assured herself. Just a flashback brought on by her mother's call. But the dream came back the following night. And the following night. The water level increased each time. She sank further into the silt each time.
She turned into a barometer. One morning, her skin was as tight as drum leather and her ankles were swollen. The swelling had spread to her hands by noon. She was unable to hold the scaler securely. She had to request that Dr. Brennan handle her afternoon appointments. He said, "Allergic reaction?" She shook her head, asking, "New soap? Latex sensitivity?" Her body was familiar. This was not the same. She examined herself while standing naked in front of the mirror at home. Her skin appeared altered. Even when dry, damp. Strangely, light struck her as though she were submerged. A tiny moon of pressure remained where she pressed her thumb against her thigh. During the procedure, she began to cough. tiny, covert coughs at first. Then she was doubled over by deeper ones. The patients appeared worried. She would dismiss them, blame the air conditioner, and the dust. However, she tasted it and found it to be older than both salt and silt. After a routine cleaning, she took off her gloves one Thursday and discovered they were completely soaked. The underside of her hands was dry. The gloves leaked onto the ground. When Dr Brennan passed the puddle, he scowled. He said, "Leak in the ceiling again?" She glanced up. It was a dry ceiling. Fluorescent lights hum, solid white tile. "Must be," she uttered.
That evening, still in her scrubs, she poured two inches of water into the bathtub and lay down. She felt the porcelain against her back. She shut her eyes and allowed her mind to wander. She heard her father's voice in the void between consciousness and slumber. 'Diri ka mahadlok' is his gentle and urgent Waray. Don't be scared. Naa ako. Here I am. He was dead, though. It was eight years ago. Heart attack. Rapid. In a way, kind. In Keppel Bay, she had scattered his ashes. At the time, it had seemed perfect. She now questioned whether she had been asking the water to take him or returning him to it. The patients started talking in code. Mariel was holding the scaler at her gum line when Mrs Chen, who was in for a six-month checkup, sat back in the chair and remarked, "The water remembers, you know." She stopped. Mrs Chen said, her eyes closed and her voice dreamy, "Sorry?" "The water." Mariel completed the cleaning in silence, saying, "It knows what was here before. It knows what's coming." Then it was the retired postmaster, Mr Kowalski. Did she hear it at night? he asked. Mariel rinsed the suction tube, saying, "Hear what?" "The pipes. The suck and slosh of it. Like something's trying to come through."
She was aware of it. Naturally, she had. As she lay in bed with the house settling around her, she heard water moving through walls that shouldn't have any water. She had inspected for leaks. made a plumber call. He looked at her as if she were a waste of time after finding nothing. She said to Mr Kowalski, "Old houses make noise." He parted his lips to accept the polish. She could see the pale geography of his soft palate, his molars, and his fillings inside. And beneath—or did it pass through? —a gleam. similar to viewing heat haze over asphalt. She gave a quick blink. It vanished. She used her phone to record while she slept that night. She listened to it on her headphones in the morning. Nothing for 20 minutes. The creak of the mattress and her breathing. At 3:47 AM, there was a noise. Not close. In rhythm. Like waves smashing against the coast, but muffled, as though they were passing through fabric. Five times, she listened to it. The sound remained the same. stable. Kindly. Hold on.
That morning, she observed the changes as she strolled down Beach Road to work. Sandbags were now ringed around previously dry properties. The foundation of the community centre had been raised two feet. The elementary school set up pumps. In the waiting room, people discussed it. values of property. rates for insurance. Who was leaving, and who was purchasing? They spoke cautiously, as though the wrong words could bring about catastrophe. Mariel was aware. Her family had spoken in this manner following Rosing and Yolanda. circling the cut without giving it a name. The water was already inside; she wanted to let them know. The gaps between their thoughts, their lungs, and their mouths. How high they built didn't matter. She was the dental nurse, however. overseas. Still. She gave them clipboards while grinning and remaining silent. Her body continued to change. One morning, she woke up unable to fully close her hands. Her fingers were curved as if she were holding invisible water, and her joints were swollen. She gave a sick call. Dr Brennan seemed irritated. She checked herself once more in the restroom. Her skin had become translucent. Her veins, blue rivers beneath the surface, were visible to her. She felt like her chest had turned into a reservoir when she pressed her sternum.
She pictured the homes on Beach Road, their foundations gradually collapsing. She recalled how the water had seeped into every nook and cranny of her childhood house, blurring the lines between inside and outside. She recalled how her father had embraced her so tightly on the roof that she could feel his heartbeat against her back. How he had made a joke and gestured to his floating slippers to stop her from crying. Even as a young child, she had realised that humour was just another way to drown. She began to doze off in the bathtub. The porcelain felt perfect against her back, but she was unable to explain why. After adding two inches of water to it, she would lie there for hours, alternating between waking and sleeping. She was nine years old again in those interim moments, clinging to her father on the roof. But now she knew what he had been muttering. It's okay to let go, but don't be scared.
Mr Cadwell was the one who broke her. On a Wednesday, he apologised for a broken crown. The ideal patient. Always punctual, tidy, and paid without hesitation. She lowered the chair, adjusted the lamp, and seated him. She inquired, "How have you been?" His voice had the easy cadence of someone who had never had to say, "Can't complain." She studied the tooth. slight fracture. Easy fix. His mouth changed when she reached for the scaler. It did not physically enlarge. The measurements didn't change. Suddenly, however, depth appeared where it shouldn't. She was staring into his mouth, seeing past the mechanics of speech, past the teeth and tongue. She noticed water. The water is brown. heavy with silt. Her father's hands, reaching up through the flood towards a sky he would never touch, were now visible to her instead of his slippers. She noticed the partially submerged bamboo fence of their former home. She saw her own childlike expression, mouth hanging open in an unfulfilled scream. Her gloves were tugged by the suction tube. The sound intensified. That hungry gurgle, that slosh and suck. Her vision wavered. She could smell sewage, mangrove rot, and liquid earth.
The chair was wet when she blinked. She was aware that it wasn't what others would consider real. knew that Dr Brennan would see a dry chair, a typical patient, and a nurse experiencing some sort of episode if she called him over. But the water was there for her. Thick and brown, it trickled past her ankles and gathered under the tray. It transported silt. It had memories. Before a typhoon, the suction hose let out a whine. Mr Cadwell asked in a distant voice, "You alright, love?" Her response was a nod. She was sinking, though. Not outwardly. Not quick. Only... straying. Her feet slipped on the ground. The clinic's lights went down. She tasted silt, salt, and grief that was so old that it had become stone. The water wanted her right here. wanted her all along. She dropped the instruments. She was the only one who saw them fall into the flood. Mr Cadwell continued to speak, his words distorted by the distance. Dr Brennan materialised in the doorway, scowling at her while his mouth moved in unintelligible questions. Her waist was submerged in water. Her torso. Her cheek. Then she was beneath. There was complete silence. Exactly. The silt poured in as she parted her lips. That was the sensation of drowning. not harsh. Not abrupt. Just a gradual erasure, layer by layer, until you were unable to recall the sensation of breathing air.
She managed to end the day somehow. She filed the charts, cleaned the instruments, and locked the door after herself. She was sent home early by Dr Brennan. She'd declined. Fearing that she would never return if she left. She was afraid she wouldn't leave if she stayed. When she went to the car at six, she ended up heading towards the water rather than her house. It was a thick, purple evening. The horizon was filled with storm clouds. The air had a copper taste. After parking at the beach access, she sat for a while while the engine cooled and ticked. She watched the tide approach through the windscreen. It was more than it ought to be. The water appeared to be carrying more than just salt because it was too thick. The flood crossed her mind. Through brown water, her father's hands reached up. His slippers, a tiny act of kindness amid the mayhem. of the mall that had replaced the house. With every departure, she left behind a different version of herself. The rooftop girl. The ash-scattering daughter. The nurse whose mouths were as open as doors. They were all drowning in different types of water.
She left the vehicle. She removed her shoes. One hand held them. The sand was cold and damp. With constant greed, the tide was tugging at the coast. Feeling the foam lap at her toes, she moved to the water's edge and stood there. She had dispersed her father in this area. where she had attempted to let go. To her ankles, she waded in. Her thighs. She was surprised at how warm the water was. It had a familiar scent. similar to the river that was behind their home prior to the storms. similar to the soil after rain. 'The water remembers,' she recalled Mrs Chen's statement. Now she comprehended. It was all carried by the water. Every departure, every loss, and every version of yourself you believed to be dead. Patient and unstoppable, it rose and fell with the tides. It never forgot. It simply awaited your cessation of running. She dived further in. The sea was serene, almost tender. The storm on the horizon hadn't arrived yet. Might not arrive at all. She thought of her swollen hands, her translucent skin, and her chest full of hollow spaces. She thought of the sound in the walls, the water in Mr Cadwell's mouth, and the dreams that wouldn't stop. Her body had been trying to tell her something. That she was already drowning. That she had been for years. That grief was just another kind of water, and you could only hold your breath for so long.
That night, she left the clinic barefoot. Shoes in hand, she walked to the dunes. The sea wasn't wild, only waiting. She sat at the water's edge and leant forward until her forehead kissed the surface. In the dark, her reflection dissolved—face braided with stars and silt. The water was warmer than her skin. She let it hold her weight. Let it take the heaviness from her joints, her chest, and her throat. She didn't know if what happened next was real or if her mind had finally given her permission to feel what she'd been holding back for years. She only knew that when she opened her mouth and let the ocean in, it didn't burn. It tasted like salt and sediment and something older than memory. Like surrender. Like relief. For the first time in months, the air—or was it water—filled her completely. No coughing. No dreams. Only a slow exhale, as if the ocean were breathing her back. She stayed there, face submerged, until her lungs demanded she surface.
When she finally lifted her head, gasping, the stars had multiplied. The storm clouds had passed without breaking. She was soaked through, shivering, alive. She walked back to the car with water streaming from her hair, her clothes, and her open mouth. She drove home. Slept dry for the first time in weeks. In the morning, she woke to silence. No rushing in the walls. No taste of silt. The swelling in her hands had gone down. Her skin looked ordinary again, solid, opaque. She went to work. Held mouths open. Cleaned teeth. The patients smiled and she smiled back. But something had shifted. The air in the clinic felt lighter. The instruments stayed dry. The water had taken what it needed. Had given her back to herself, changed but whole. That night, she walked to the beach again. This time, she didn't wade in. Just sat at the edge and watched the waves come and go, steady as breathing. The ocean was still there. Would always be there. Rising, patient, holding everything she'd tried to forget.
She thought of her father's last words on the roof, the joke about his slippers travelling together. She understood now that he'd been teaching her how to survive this. How to find humour in loss. How to let things go without forgetting them. The slippers were gone but the memory remained, and maybe that was enough. Maybe that was all anyone got. Not the objects themselves but the stories they carried. She pulled out her phone and texted her mother for the first time in weeks. Told her she was okay. Told her she'd been dreaming about the flood. Her mother called immediately. They talked for an hour. About Rosing. About Yolanda. About all the water that had shaped them. Her mother said, "We survive by remembering. We survive by letting go. These are not opposites." Mariel understood. The water didn't want to drown her. It only wanted her to stop pretending she could breathe underwater. Wanted her to surface. To remember. To let the silt settle so she could finally see clearly.
sample poem from the forthcoming poetry collection Litanies for a Broken Body
Litany of Split Tongues
My words were torn fabric, stitched wrong.
In Tagalog, mahal means "love" and "expensive" in Cebuano
In English, I can lie more easily.
In the language of silence, I am fluent.
My words were torn fabric, stitched wrong,
the seams showing where one truth
was patched over another.
You who know forked speech, guide us.
You who carry words that mean two things, witness us.
You who hear languages that betray, have mercy on us.
When I say "I'm fine" in English, it sounds believable.
When I say "Okay lang ako" to my mother,
she hears the crack in the middle syllable.
My tongue splits down the center:
One half tells him what he wants to hear; the other half
practices the truth in the shower, where no one listens.
You who dwell in words that refuse to come, bless them.
You who hold sentences that break in half, bless them.
You who know truths spoken to mirrors that fog with our breath, bless them.
I speak to you in one language and to myself in another.
to ancestors in the dialect of my childhood, where lies sound different,
rougher, like fabric torn against the grain.
The thread in my mouth frays with each careful word, each measured response.
each performance of being whole.
You who mend split tongues, heal us.
You who teach true speech, guide us.
You who weave single stories, have mercy on us all.
Pointilove (or: What My Brother-in-Law Said)
It started as a joke.
The way good things do,
over something cold in December,
Sydney glittering its new year readiness
outside the window,
all that harbour light
doing what harbour light does:
spreading itself thin and gorgeous
over everything it touches.
I said: I want a handpoked backpiece.
Something large. Something that takes time.
He said: why not Seurat?
and we laughed the way bodies laugh
when the joke lands in the right place,
that full-belly yes of it,
because of course:
the whole painting made of dots
and handpoke is all dots
and my back is finite
and the painting is not.
A Sunday afternoon
pricked into skin,
needle by needle,
light built from darkness
the way Seurat understood light:
not as a thing that falls
but as a thing that accumulates,
dab by dab,
the eye tricked into believing
in a wholeness
that was never whole,
only patient.
pointilluminate
stipplestitched
dotdevoted
This is also how the body holds things.
Not in one image, one stroke,
but in the slow grammar of accumulation,
the small repeated mark
that becomes, from a distance,
a woman with a parasol,
a riverbank,
a monkey on a leash,
the particular leisure
of a life that stopped
long enough to become visible.
My sister laughed too.
That is the light part.
The three of us in a bright room
at the edge of the year's ending,
her husband's joke opening
into something larger than the joke,
into the dark
I was already planning to carry:
a whole painting on my back,
all those dots
of what I have not yet
become,
all those points
of colour
only legible
when someone stands
far enough away
to see me whole.
The harbour held the light.
The new year waited.
My back,
still empty,
still patient,
still a white ground
waiting for its first
dark dot,
its first insistence
that all this darkness
is just the space
between the light.
dotdotdot
she said: you're serious aren't you.
I said: yes.
And it will take
a long time.
And that's the point.
Chopsticks
*This story was nominated for best short fiction in the Philippines Free Press, August 11, 2007, and was anthologized in the anthology of Flash Fiction in English, “Very Short Stories for Harried Readers” by Milflores Publishing, December 2007.
By Jean Claire A. Dy
“People from the West are uncivilized,” he said half-jokingly as he nudged the fork in her bowl with the tips of his ivory chopsticks. “So unhygienic lah,” he added with a wink. “We Chinese do it different lah. See.” He lifted his chopsticks for her to look, “just two contact points. But the fork, the fork,” he stopped in mid-sentence and nudged her fork again as though to make his point.
She looked at the fork submerged in her bowl of Ramen soup, then slowly picked it up to examine its four silver sharp tines meant to stake a claim on a piece of meat or dig into a bowl of pasta or rice. But it is also meant for noodles, she thought. Filipinos find forks easy to use–just twirl the noodles around the tines then shove one gob of noodles into your mouth.
“I can never do that,” she told him as she watched him deftly pick a tiny green pea from his almost empty bowl. “You mean you can really pick a tiny bean like that with chopsticks?”
She knew she sounded incredulously naïve but she didn’t care. The green bean squeezed between the two ends of the sticks appeared unusually small and frail yet seemingly as significant as a miniscule green dot in a huge Mandala. She was amazed at how his fingers didn’t tense when he picked beans adroitly like picking tiny objects delicately as though picking grains of sand.
“You can pick anything with these sticks lah,” he said then proceeded on telling her his chopstick story: how when he was young he couldn’t hold his chopsticks properly his Shainghanese father scolded him several times. Until secretly he had to learn to pick minute objects on his own using a pair of drummer sticks his Malay mother secretly gave him on his tenth birthday. He said that if one is able to pick the tiniest object with drummer sticks, one will be adept with a pair of chopsticks, and “that’s the secret, don’t you tell.”
She giggled when he said that bit about secrets because she knew he’s good at keeping them just like how he never told anyone about her and him always meeting like this in his house somewhere in the suburbs of Kuala Lumpur, because “it’s hard to explain lah.”
“Eating with chopsticks is an art you have to master,” he said. “And the important thing is, you must enjoy doing it.” He grinned at her with an enthusiasm he could call his own; eyes smiling like the Buddha.
She wanted to tell him that she had never felt happier with eating until this moment they ate Ramen soup together at his dinner table. She wanted to tell him how eating for her is shoveling spoonfuls into her mouth, into her system, never mind the taste, what matters was the feeling of being filled to the brim. But she decided not to tell him. It was not for him to know.
She picked her silver fork and twirled it around a mound of noodles swimming in an orangey spicy soup. She noticed how her brown fingers looked at home with her fork, and how his white fingers held his slim ivory chopsticks like they were also meant to be together. Everything is clearer now, she thought. Everything on this dinner table is follows a kind of pace unfamiliar to her. The porcelain bowls they used are decorated with tiny intricate Chinese designs in blue ink. She tried to imagine the painter’s brush quietly stroking the bowl creating miniature flowers, leaves, and branches on its trail.
“Is it good? Are you happy with your food?” he suddenly asked.
She is happy, of that she is certain. But what to make of this happiness is another thing.
Later that night as she lay among the swell of pillows in his bed, she watched him staring over her, his face a silhouette of a concept she knew she couldn’t grasp. “My beautiful Filipina,” he whispered. He told her he had to remember this moment–her face framed in a memory he was obliged to take, a novelty among the photographs he took of Chinese women he made love with over the years. She wanted to ask him why he had to remember or if she actually made an impression at all. But again, she remained silent as she watched him smiling down on her, his eyes roaming around her face, her hair, her neck, shoulders and down her heaving breasts, her expectant naked body.
And when he buried his head between her brown thighs, she sighed unexpectedly as she forced her eyes to stay open, to stare at the ceiling as though there were stars stuck on it, but the ceiling fan made her dizzy, and his tongue was stroking her skin, she closed her eyes and finally let out a scream.
At dinner when she was striving to eat all her noodles, challenged by the need to impress him by cleaning her bowl empty, he suddenly asked her: “Can you eat everything? Just tell me if you can’t lah.”
“I don’t know yet,” she replied, wishing she hadn’t come across as very desperate.
“It’s okay. Just tell me you can’t lah.”
Then without a word, he took her bowl tenderly away from her hands, gave her a reassuring smile then thrust his chopsticks into the bowl of noodle soup. He made slurping sounds while eating clearly enjoying himself. She told him that in the Philippines making noises while eating is considered impolite. “But we are eating Ramen!” he said in between slurps. “For the Japanese, the more noise you make, the happier they are.” Then quickly enthused, “but if we’re eating Chinese noodles, ah then, that’s different.”
Later that night after she let out her last scream, he scooped her head to let it lie on the crook of his arm and gave her a light kiss on the forehead so light it didn’t make a sound. They lay beside each other for what seemed like eternity, legs knotting, hair on their skins grazing, and her fingers combing his hair.
At one point when the room became uncomfortably silent, she whispered into his ear: “I’ll probably learn how to use the chopsticks when I go home.” He replied with a low grunt, smiled at her with eyes half-closed then began snoring faintly. She gazed at his face in an attempt to remember it well then her heart swelled into a river of laughter she thought she never owned.
-End-